Statue of Joseph Mikulec, depicted holding his autograph album on his shoulder, and Viktor Šimunić, mayor of Oroslavje, Croatia. The original album featured here and in all the news reports is for sale at Raab.
— Image caption, raabcollection.com, "This Discovery Has Inspired a Country"
BIG X,
little X,
what begins
with X?
Dr. Seuss’s ABC: An Amazing Alphabet Book!
Subjectivity is the precondition for knowledge: the self who knows.
— Lorraine Daston & Peter L. Galison, Objectivity via @wendiyan
I wanna smell our son.
— Lily
Away, we're bound to go.
— The Men of The Robert Shaw Chorale, "Shenandoah"
And then I remember I was very successful at summer camp.
— Sid
What the photographer saw and the homeowner intended were not the same.
— Arthur Lubow, Diane Arbus
Early in his childhood in Deep Gap, Watson was struck by an illness that restricted the blood flow to his eyes, resulting in his blindness at an early age. As a child, he was surrounded by music and was given a new harmonica every Christmas.
— About Doc Watson on Spotify
A DRAWING THAT LOOKS LIKE LANGUAGE
— @zakjensen
"I think it's a secret probably for everybody's pictures, that your own pictures mean more to you than they mean to anybody else." She said... A viewer standing in front of the photograph would have his own relationship with it, imbibing some of its mysteries, but for him it could only be an evocation, not a souvenir.
— Arthur Lubow, Diane Arbus
THE EXACT LOCATION OF THE HANGING IS ONE OF HISTORY'S UNCERTAINTIES. OTHER PLACES HAVE BEEN CITED, BUT A BRITISH OFFICER'S DIARY INDICATES THE ROYAL ARTILLERY PARK NEAR THE DOVE TAVERN ON THE OLD POST ROAD, NOW THIRD AVENUE WHERE IT INTERSECTS 66TH STREET.
— Plaque about Nathan Hale on 1110 3rd Ave
The meaning of the work is not embedded in the object, but in the relationship between object and collector. As a collector, I do not display things that I don't like, but liking is connected to my self-image and how I wish to display myself to others through my possessions. Part of the value of these works is linked to the characteristics of the artists and the stories that the objects call forth. The works are authentic because of the biographical contours of their creators—life stories of diference that infuse the content of the work.
— Gary Alan Fine, Everyday Genius: Self-Taught Art and the Culture of Authenticity
Arbus was good at personalized presents too, but Israel's, in addition to affirming the intimacy of friendship, implied a comprehension that bordered on partnership. It was a form of inspired matchmaking, the pairing up of an artist with a sympathetic predecessor, and it contributed to his charismatic pull in which he made the beneficiary of his attention feel truly understood.
— Arthur Lubow, Diane Arbus
She kept saying to me "the more specific you are, the more general it'll be."
— Arthur Lubow, Diane Arbus
At this stage of her career she was figuring out her subject matter, a choice that is more important for a photographer than for any other kind of artist.
— Arthur Lubow, Diane Arbus
A puppet, a pauper, a pirate, a poet, a pawn and a king.
— Frank Sinatra, "That's Life"
Once again, the artist can't help himself, insinuating his own life story to such an extent that it obfuscates the work.
— Philip Gefter, What Becomes a Legend Most: A Biography of Richard Avedon
I dunno his business.
— Lily when I asked if the dog across the street was licking a woman's toes.
"Atget represented to John the very best of photography for many reasons, not least of which is that Atget seemingly saw a purpose for his work that had nothing to do with creating art, but rather, a moral purpose," said Susan Kismaric, who worked with Szarkowski.
— Philip Gefter, What Becomes a Legend Most: A Biography of Richard Avedon
Is he too young to have coins?
— Edmund