It was unique, yet it slotted neatly into the established marketing genres of classical miscellanies and commonplace books. It had that perfect commercial combination: startling originality and easy classification.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
What is striking is that they seized them from the text while ignoring almost everything else—but this is what all readers do, to a greater or lesser extent.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
I can give a dollar to every person on Earth
— Kanye West, "Pure Souls," Donda
Chocolate fudge.
— Abby
Or of boggling his own mind by contemplating the millions of lives that had been lived through history and the impossibility of knowing the truth about them. "Even if all that has come down to us by report from the past should be true and known by smoeone, it would be less than nothing compared with what is unknown." How puny is the knowledge of even the most curious person, he reflected, and how astounding the world by comparison.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
To go from having the Taliban as an adversary we’re seeking to kill, to relying upon them for security, coordinating to make sure things run smoothly.
— Peter Meijer, "2 U.S. Representatives Try to Explain Unauthorized Visit to Kabul," The New York Times
Mr. Navalny said. “We are specific, like any nation."
— Andrew E. Kramer, "In First Interview From Jail, an Upbeat Navalny Discusses Prison Life," The New York Times
I said, "Why have you left out the grapes?"
Ike said, "Because they're too God-damned hard to paint."
— John McPhee, Draft No. 4
All this can happen because the Essays has no great meaning, no point to make, no argument to advance. It does not have designs on you; you can do as you please with it.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
Tyrannafying!
— Isaac mixing "Tyrannosaurus" and "terrifying"
Any error is everlasting. As Sara told the journalism students, once an error gets into print it "will live on and on in libraries carefully catalogued, scrupulously indexed . . . silicon-chipped, deceiving researcher after researcher down through the ages, all of whom will make new errors on the strength of the original errors, and so on and on into an expontential explosion of errata."
— John McPhee, Draft No. 4
The Taliban co-founder
New York Times photo caption
I'm so excited I get to share with you my favorite thing about People magazine's 9/11 coverage...
The ad placement!!!
— @emily_elsie
She said, "Now, we're just here to be memories for our kids."
— Matthew McConaughey, Interstellar
By 2018, manipulation of the platform [Twitter] in Saudi Arabia was so great it was hard to determine what was real human activity
— Ben Hubbard, MBS: The Rise to Power of Mohammed Bin Salman
What a lesson in culture. Money, weapons, technlogy, external resources, etc cannot create an effective army without a strong culture. A lesson often learned the hard way but broadly applicable. No easy playbook for building culture.
— D*
WHAT'S AUTHENTIC?
— @stephaniehshih quoting LA Times headline
In 2010 I moved into an unoccupied house in Bayview, San Francisco that had been a semi-secret neighborhood gambling shack for 40 years. It took me about 3 days to realize that Bayview was the best place I ever lived. In 2017 my marvelous art-school teaching colleague George McCalman (@tuffgee) told me he was designing a series of posters featuring Bayview residents. (Was it an art project? An ad campaign? I never asked and I still don’t really know.) George knew I loved Bayview and invited me to have my picture taken for the series by his friend Jason Madara (@jasonmadarastudio). I said sure, why not. A casual thing, no payment. A year later, hundreds of “I AM BAYVIEW” posters appeared suddenly on bus stops & train stops all over the city. Of the 40 or so Bayview people featured on 30-ish different posters, I think I was the only white guy. A few days after the posters went up, an anti-gentrification Facebook group took a snapshot of just the poster featuring my face and made it their profile picture, captioning the image “shame is dead.” This post was viewed & hate-shared thousands of times, spawning anger across social media. Much of the internet commentary was along the lines of “Who the HELL is this entitled tech-bro douchebag and where the HELL does he get off claiming HE IS BAYVIEW?” (That’s a paraphrase.) I remember feeling sad about the anger, but also getting it. (The phrase “I am Bayview” is not something I had ever said or would ever say. Nor was I aware that this phrase would appear on the poster. And I know I look like a dork because spoiler alert: I Am A Dork.) I remember wishing that everyone could know the full story behind the posters. I remember wishing that positive attention could be paid to the 96% of Bayview residents on the posters who are not white. I remember wondering: How much money went into this massive campaign? Who paid out that money and who got paid? What were the agendas of the project, explicit and implicit, and whose agendas were they? Was it considered a success by all? Some? None? At the peak of the hubbub, I took my 9-year-old son on a walk to look at & ponder one of the vandalized posters. These photos are from that walk.
— @mcmubria
A fossil word is a word that is broadly obsolete but remains in current use due to its presence within an idiom.
— Wikipedia via @huffmatt via @depthsofwikipedia
The Space Shuttle had almost no room for iteration because there were people on board. So you couldn't be blowing up shuttles. So that's a big problem.
— Elon Musk, "Starbase Tour with Elon Musk [PART 2], Everyday Astronaut