Thursday, January 14, 2016
How do you handcuff a one handed man?
— Akshay out of nowhere
Wednesday, January 13, 2016
It’s parents who grew up on the old one who’ll be struck by how this show, which once taught them to find wonder amid the grime, now promises kids that they can uncover dirt in a sanitary, upscaled paradise. As Mucko Polo sings: “You have to go find it now/It won’t come to you!”
— James Poniewozik, “Review: HBO’s ‘Sesame Street,’ Fancy but Not Free,” The New York Times
Tuesday, January 12, 2016
True Wit is Nature to advantage dress’d.
What oft was thought, but ne'er so well express’d.
What oft was thought, but ne'er so well express’d.
— Sidney from Alexander Pope
Monday, January 11, 2016
Even classical composers like Philip Glass, who based two symphonies on Mr. Bowie’s albums “Low” and “Heroes.”
— “David Bowie Dies at 69,″ The New York Times
Sunday, January 10, 2016
They’re all about nothing, but they’re all fun to listen to. Why would they be fun to listen to? I don’t know.
— Leonard Bernstein, Leonard Bernstein’s Young People’s Concerts for reading and listening
Saturday, January 9, 2016
Hhaaaaaaaaaaaaaaaaaaaaaa…
— start to a tonal happy birthday that sounded like 2001: A Space Odyssey
Friday, January 8, 2016
One… Two… Three…
— Lily
Thursday, January 7, 2016
Williamstown.
— Melody
Wednesday, January 6, 2016
Date night?
— Elise Rise at Umami Burger
Tuesday, January 5, 2016
Cholly Knickerbocker
— RD (?)
Monday, January 4, 2016
Mother’s day table.
— Goal for a book
Sunday, January 3, 2016
Well isn’t that special.
— Super over eager and humorous male flight attendant upon a hard landing.
Saturday, January 2, 2016
Did you ever sit on your testicles?
— Jack
Friday, January 1, 2016
Course it was.
— Samuel L. on horseshit, The Hateful Eight
Thursday, December 31, 2015
Hey my car! Hey my keys!
— Jon, Jon the Egg Boy
Wednesday, December 30, 2015
Clip forgotten finger
— note
Tuesday, December 29, 2015
Music by Howard Shore
— Spotlight
Monday, December 28, 2015
Most of what was paradoxical in the architecture of Frank Lloyd Wright came from the same tension in relation to the nature that inspired his work to begin with. For it was not an easy project to emulate the high level of aesthetic organization in nature or to seek through geometric abstraction a reconstitution, or analogue, of the landscape.
— Donald Hoffmann, Understanding Frank Lloyd Wright’s Architecture
Sunday, December 27, 2015
You hide from yourself.
— Joy, Joy
Saturday, December 26, 2015
What is whole?
— Lily