Saturday, June 13, 2020
Tortoise: Really, there was nothing the matter, nothing at all. It simply couldn't reproduce the sounds on the record which I had brought him, because they were sounds that would make it vibrate and break.
— Douglas Hofstadter, Gödel, Escher, Bach
Friday, June 12, 2020
But the statements, since they're represented by means of a small and stylized set of symbols, take on the aspect of patterns. In other words, though when read aloud, they seem to be statements about numbers and their properties, still when looked at on paper, they seem to be abstract patterns—and the line-by-line structure of the proof may start to look like a slow transformation of patterns according to some few typographical rules.
— Douglas Hofstadter, Gödel, Escher, Bach
Thursday, June 11, 2020
Understand that people like buying into interesting people.
— Justin Colt, "SVA Remote Workshop #4"
Wednesday, June 10, 2020
Headquarters essentially restricted them to stenographic duties—long hours of tedium interrupted by disputes over how to distinguish one muffled voice from another over earphones. As consolation, they developed a kibitzer's interest in King's world, along with a proprietary stake in its importance.
— Taylor Branch, Pillar of Fire: America in the King Years, 1963-1965
Tuesday, June 9, 2020
King's aversion to "enemy-ism" isolated him in politics, especially crisis politics. Leaders routinely molded support against a villan, and for most politicians a skillfully cultivated foe could become a source of advantage, energy, idealism, even comfort.
— Taylor Branch, Pillar of Fire: America in the King Years, 1963-1965
Monday, June 8, 2020
My gift is going to be to get you to be an accredited university so I get credit hanging out with you.
— Lily
Sunday, June 7, 2020
Epimenides was a Cretan who made one immortal statement: "All Cretans are liars."
— Douglas Hofstadter, Gödel, Escher, Bach
Saturday, June 6, 2020
As Duchamp would say on another occasion, the book was not about him—it was by Schwarz.
— Calvin Tomkins, Duchamp
Friday, June 5, 2020
A director is an Auteur of a movie, but Feige is proving to be the Auteur of a company, and maybe of the entire industry. Art doesn't die in the age of Global Capitalism; it just gets bigger, and stranger.
— Fritz Swanson, "My Response to Martin Scorsese, unpacked for Jason"
Thursday, June 4, 2020
In King's tradition there were no proofs, only witnesses.
— Taylor Branch, Pillar of Fire: America in the King Years, 1963-1965
Wednesday, June 3, 2020
So the question is how can we continue sharing but do it in an effective way? We have to think about our target audience (the oppressor) and where they hang out virtually. We have to use their hashtags to meet them virtually.
— @sa.liine
Tuesday, June 2, 2020
"There is no such thing as a normal period of history," Robinson said. "Normality is a fiction of economic textbooks."
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
Monday, June 1, 2020
Can mine be a birdhouse?
— Lily on her gravestone
Sunday, May 31, 2020
Then came the seemingly eternal round of lobbying public officials, filing forms, waiting for environmental impact studies, speaking at hearings, rallying support. All of this, Christo insisted, was part of the art work.
— William Grimes, "Christo, Artist Who Wrapped and Festooned on an Epic Scale, Dies at 84," The New York Times
Saturday, May 30, 2020
But Keynes recognized that money was not only a mechanism for transmitting information about the relative values of different goods; it was also a store of value, which enabled people to make and express judgments about their own material security through time... "The importance of money essentially flows from its being a link between the present and the future."
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
Friday, May 29, 2020
The book is difficult and obscure becasue he wanted it to be. And its sheer ugliness created a small industry of interpreters, some of whom enjoyed distinguished careers and won Nobel Prizes just by simplifying or interpreting sections of the book.
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
Thursday, May 28, 2020
"We were just in a position to afford Shakespeare at the moment when he presented himself!" Keynes wrote.
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
Wednesday, May 27, 2020
This... ...Is Why.
— Caption on image juxtoposition of officer Derek Chauvin kneeling on George Floyd's neck and Colin Kaepernick kneeling on a football field
Tuesday, May 26, 2020
It was not the power of Keynes' argument that propelled the book to such wild success. It was the vicious, detailed personal portraits of the Great Men he lambasted.
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
Monday, May 25, 2020
The point is, although artists comprise the majority of people subjected to Jessica's PR stunts, we aren't the intended audience for them.
— Brad Troemel, "THE HUSTLE REPORT"
