King's aversion to "enemy-ism" isolated him in politics, especially crisis politics. Leaders routinely molded support against a villan, and for most politicians a skillfully cultivated foe could become a source of advantage, energy, idealism, even comfort.
— Taylor Branch, Pillar of Fire: America in the King Years, 1963-1965
My gift is going to be to get you to be an accredited university so I get credit hanging out with you.
— Lily
Epimenides was a Cretan who made one immortal statement: "All Cretans are liars."
— Douglas Hofstadter, Gödel, Escher, Bach
As Duchamp would say on another occasion, the book was not about him—it was by Schwarz.
— Calvin Tomkins, Duchamp
A director is an Auteur of a movie, but Feige is proving to be the Auteur of a company, and maybe of the entire industry. Art doesn't die in the age of Global Capitalism; it just gets bigger, and stranger.
— Fritz Swanson, "My Response to Martin Scorsese, unpacked for Jason"
In King's tradition there were no proofs, only witnesses.
— Taylor Branch, Pillar of Fire: America in the King Years, 1963-1965
So the question is how can we continue sharing but do it in an effective way? We have to think about our target audience (the oppressor) and where they hang out virtually. We have to use their hashtags to meet them virtually.
— @sa.liine
"There is no such thing as a normal period of history," Robinson said. "Normality is a fiction of economic textbooks."
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
Can mine be a birdhouse?
— Lily on her gravestone
Then came the seemingly eternal round of lobbying public officials, filing forms, waiting for environmental impact studies, speaking at hearings, rallying support. All of this, Christo insisted, was part of the art work.
— William Grimes, "Christo, Artist Who Wrapped and Festooned on an Epic Scale, Dies at 84," The New York Times
But Keynes recognized that money was not only a mechanism for transmitting information about the relative values of different goods; it was also a store of value, which enabled people to make and express judgments about their own material security through time... "The importance of money essentially flows from its being a link between the present and the future."
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
The book is difficult and obscure becasue he wanted it to be. And its sheer ugliness created a small industry of interpreters, some of whom enjoyed distinguished careers and won Nobel Prizes just by simplifying or interpreting sections of the book.
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
"We were just in a position to afford Shakespeare at the moment when he presented himself!" Keynes wrote.
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
This... ...Is Why.
— Caption on image juxtoposition of officer Derek Chauvin kneeling on George Floyd's neck and Colin Kaepernick kneeling on a football field
It was not the power of Keynes' argument that propelled the book to such wild success. It was the vicious, detailed personal portraits of the Great Men he lambasted.
— Zachary D. Carter, The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes
The point is, although artists comprise the majority of people subjected to Jessica's PR stunts, we aren't the intended audience for them.
— Brad Troemel, "THE HUSTLE REPORT"
What a little creep.
— Lily on Dumbledore holding Voldemort in a ball of water
A convertible painted with dots to match the owners' Dalmation.
— Alan Brinkley, The Publisher: Henry Luce and His American Century
Actually, in spite of everything, you're a very conventional man.
— Jennifer Melfi, "Amour Fou," The Sopranos
Bricks are good because they have a scale.
— David