Monday, May 27, 2013
The book I remember most clearly was A Wrinkle in Time.
— Dan Brown, TIME: May 27, 2013
Sunday, May 26, 2013
I just washed my hands
Then I went for my dinner.
Then I went for my dinner.
— The Proclaimers, “Over And Done With”
Saturday, May 25, 2013
Why would you do that?
— Joss Whedon, “How Shakespeare Saved ‘Avengers,’ The New York Times
Friday, May 24, 2013
It doesn’t preclude a love of things and design.
— Liz Diller
Thursday, May 23, 2013
And what’ll you do now, my blue-eyed son?
— Bob Dylan, “A Hard Rain’s A-Gonna Fall”
Wednesday, May 22, 2013
Open the kingdom.
— Philip Glass Ensemble, “Open The Kingdom (Liquid Days, Part II)”
Tuesday, May 21, 2013
The most bizarre thing I think I’ve ever seen.
— Zach Sobiech, “My Last Days”
Monday, May 20, 2013
She got sunset on her breath now.
— Edward Sharpe & The Magnetic Zeros
Sunday, May 19, 2013
Came out by the same door where in I went.
— Edward FitzGerald, The Rubáiyát of Omar Khayyám
Saturday, May 18, 2013
Well, its still a hell of a quote.
— James T. Kirk, Star Trek Into Darkness
Friday, May 17, 2013
It’s a hell of a thing, ain’t it. Hell of a thing.
— Mud, Mud
Thursday, May 16, 2013
Keep learning the salsa.
— Jorge
Wednesday, May 15, 2013
Money.
— Macklemore & Ryan Lewis, “Cant Hold Us - feat. Ray Dalton”
Tuesday, May 14, 2013
Over the rope.
— Kristin
Monday, May 13, 2013
I gave my oopsy, daisy, now you’ve got the crazy.
Crazy with the books, googley-goo where’s the gravy.
So one two, unbuckle my, um shoe.
Yabba doo, hippity-hoo, crack a brew.
Crazy with the books, googley-goo where’s the gravy.
So one two, unbuckle my, um shoe.
Yabba doo, hippity-hoo, crack a brew.
— Das EFX, “The Want EFX”
Sunday, May 12, 2013
I’d rather have my honeycomb.
— Das EFX, “The Want EFX”
Saturday, May 11, 2013
I’ve been worryin’ that I’m losing.
— Ben Howard, “The Fear”
Friday, May 10, 2013
You can’t walk now.
— person in car
Thursday, May 9, 2013
We MaDalmini Uph'umqomboth.
— Umqombothi
Wednesday, May 8, 2013
Any attempt to criticize works of Architecture or Typography, any hope of appreciating and fostering significant new work in either field, must be based on knowledge of what sort of field it is.
— Beatrice Warde, “Typography and Architecture”