And they reveled in their own manipulation because it was so well executed, becuase it was so comfortable and reassuring, and perhaps most of all, becuase it was so empowering to know that someone could actually have achieved this. In the end, it was not the control of wonder that made Disneyland so overwhelming to its visitors; like so much else in Walt Disney's career, it was the wonder of control.
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
Bill Evans had landscaped the park largely with indigenous trees that had been uprooted by highway construction, but even then Walt didn't have enough money to finish the job and instructed Evans to put Latin names on the weeds as if they were specimine plants.
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
They sent us a painting that one of the elephants had made, a painting of an elephant by an elephant.
— Joe Rogan, "#2013 - Paul Rosolie, The Joe Rogan Experience"
It had always been about control. About crafting a better reality than the one outside the studio, and about demonstrating that one had the capactiy to do so.
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
AGE: c. 149 years old in 2000
— Bonsai tree description
If you are a college student who likes to nod intently at your professors while they're talking in class, just know that all of them adore you and think you are the absolute greatest
— @shelbyedoyle via @upworthy via @markcoddington
And he said that he kept a slogan pasted inside his porkpie hat from the time he had been urged to make a sequel to Three Little Pigs: "You can't top pigs with pigs!"
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
"Living with Bambi, as we did, for five years, we lost all sense of perspective," he wrote columnist Jimmy Starr, who had praised the film, "but your wire and editorial comment raises our hopes that we have achieved what we aimed for when we first decided to make it." Then he added remorsefully, "One thing we learned from this experience[,] and that is we'll never again spend so much time on another subject."
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
In effect the studio, which had once existed to make films, now made films so that it could continue to exist.
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
weird flex but ok
— @_matteo999 comment on @onlyinbos post "The West End on-ramp has doors and windows imprinted in the concrete as a reminder of the former neighborhood there, completely leveled by the end of the 1950s as part of a large-scale urban renewal project.
The consequences of this bizarre position were many: The forward part (bow) of the ship was in the Southern Hemisphere & in the middle of summer. The rear (stern) was in the Northern Hemisphere & in the middle of winter. The date in the aft part of the ship was 31 December 1899.
In the bow (forward) part it was 1 January 1900.
This ship was therefore not only in:
Two different days,
Two different months,
Two different years,
Two different seasons
But in two different centuries - all at the same time!
— Suggested Facebook post
Definitely pressed.
— Lily on glass in The Met
Mickey was circular—in part, because a circular construction made him easy to draw. Sometimes the artists would simply take quarters and trace them for the basic components.
— Neal Gabler, Walt Disney: The Triumph of the American Imagination
I feel thin, sort of stretched, like butter scraped over too much bread.
— J. R. R. Talkien, The Fellowship Of The Ring
It's like being in a pancake.
— Emily on standing next to The Juice Bar air exhaust
T
A C K
X
I
— Buisness card
Amaretto Chip
— The Juice Bar
Met's Pete Alonso Threw Ball From Opponent's First M.L.B. Hit Into the Stands
— Article headline, The New York Times
Is your dog's name Lemonade?
— Lily to me in a voice after we walked past some kids at a lemonade stand
@germkoh has made many wonderful projects but I think my favourite is “Journal”, begun in 1995.
The following is Germaine description of the project taken from her website: “A terse personal journal appearing daily in the classified ads and, in more recent versions, on LED message boards and roadside signs."
— @micahlexier