Cover the book in thinly sliced mortadella and walk out.
— David Horvitz, How to Shoplift Books
Echoing the phrase “all press is good press”: any remix is a good remix. To be referenced is to still be culturally relevant. So if you own an NFT describing Arachnid Person, you want to contribute to an environment where as many people want to include Arachnid Person in their works as possible so that Arachnid Man #1 becomes something worth owning.
— Kyle Russell via Casey Newton, "Loot is a Virtual Social Network That Looks LIke Nothing You've Ever Seen," The Verge, sent by Austin
Describe what we see.
— Lily at The Met
Combining all his academic interests, Gilhooly developed a "Frog World" composed of hundreds of sculptures that irreverently reimagine human affairs.
— David Gilhooly wall text at MAD
A small selection of fabrics I designed during my years at @vlisco
— @michiel_schuurman
Thanks to @presentandcorrect for pointing out the amazing collection of envelope security patterns under #地紋自答
— @zakjensen
“This is the one time in human history where every single human being across this country, possibly across the planet, but especially in this country, are all going to have an interest in vaccination and vaccines,” he said. “So it’s time for us to educate.”
By “educate,” he meant to spread misinformation about vaccines.
The approach that Mr. Coleman displayed in his nearly 10-minute-long appearance — turning any negative event into a marketing opportunity — is characteristic of anti-vaccine activists. Their versatility and ability to read and assimilate the language and culture of different social groups have been key to their success.
— Tara Haelle, "This Is the Moment the Anti-Vaccine Movement Has Been Waiting For," The New York Times
It was unique, yet it slotted neatly into the established marketing genres of classical miscellanies and commonplace books. It had that perfect commercial combination: startling originality and easy classification.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
What is striking is that they seized them from the text while ignoring almost everything else—but this is what all readers do, to a greater or lesser extent.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
I can give a dollar to every person on Earth
— Kanye West, "Pure Souls," Donda
Chocolate fudge.
— Abby
Or of boggling his own mind by contemplating the millions of lives that had been lived through history and the impossibility of knowing the truth about them. "Even if all that has come down to us by report from the past should be true and known by smoeone, it would be less than nothing compared with what is unknown." How puny is the knowledge of even the most curious person, he reflected, and how astounding the world by comparison.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
To go from having the Taliban as an adversary we’re seeking to kill, to relying upon them for security, coordinating to make sure things run smoothly.
— Peter Meijer, "2 U.S. Representatives Try to Explain Unauthorized Visit to Kabul," The New York Times
Mr. Navalny said. “We are specific, like any nation."
— Andrew E. Kramer, "In First Interview From Jail, an Upbeat Navalny Discusses Prison Life," The New York Times
I said, "Why have you left out the grapes?"
Ike said, "Because they're too God-damned hard to paint."
— John McPhee, Draft No. 4
All this can happen because the Essays has no great meaning, no point to make, no argument to advance. It does not have designs on you; you can do as you please with it.
— Sarah Bakewell, How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
Tyrannafying!
— Isaac mixing "Tyrannosaurus" and "terrifying"
Any error is everlasting. As Sara told the journalism students, once an error gets into print it "will live on and on in libraries carefully catalogued, scrupulously indexed . . . silicon-chipped, deceiving researcher after researcher down through the ages, all of whom will make new errors on the strength of the original errors, and so on and on into an expontential explosion of errata."
— John McPhee, Draft No. 4
The Taliban co-founder
New York Times photo caption
I'm so excited I get to share with you my favorite thing about People magazine's 9/11 coverage...
The ad placement!!!
— @emily_elsie